📌✅Do not know too well.

. Do not know too well.

In Buddhism, it is not easy to express the Dharma, and it is not just to say the right thing.

But it fits a person.

Fits the time; and

Fits that place too

Dharma one

One incident.

One person.

The disciple is one teacher.

So it's not common to go with a voiceover without the knowledge of the quirks of those involved and other such contexts.

Only... Phra Samma Sam Buddha has great wisdom.

Be able to know the hospitable and organic nature of the world, who should listen to what level.

Therefore showing the nature

"Anupu Phi"

Is taught in order

Start with eating.

Canon. Heaven.

The penalty of erotic

Until Arista 4

When the listener's mind is ready, it shows an advanced nature.

The Buddha also taught about

5 proverbs

Is to speak right at the right time, to speak the truth, to be polite, to be helpful, and to speak mercifully.

It shows that even true words, if they are not correct, can be useless.

In the Tripitaka there are many parables, such as

• About "Kulimal."

The Buddha used only the short teaching that

"We have stopped, but you have not stopped."

Causing the cruel thief to become conscious, repent, and ordain to attain righteousness.

• About "Gisakot."

He did not teach righteousness immediately.

But to find lettuce seeds from a house where no one has ever died.

When she saw the truth of life,

So he understood the impermanence of the world.

These stories show that

Teaching Dharma must know a person.

Knowing as Knowing Karma and Motocross

Know time and know how to be able to compare in this world.

So...

We, you guys.

Before thinking that he understands and then judges others

Should recall that

"The Buddha Samma knows the insanity of the animals of the world more than anyone."

Don't know too well, Buddha.

But should know to train yourself out of passion

6-3-68

Gathered: Knights, Silver House

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Reference

• Tripitaka Angkut: Verbal Proverbs 5

• Tripitaka: Anupupiktra (Dharma is shown respectively)

• Recipe

• Commentary on the subject of Ki Sakot