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I love 🙏ðŸŧ the Buddha.

Order Cr. Dew. Suthma.

Visualize Woman (Reference Face, Ear, Nose, Mouth, Person from Image 1, 100% Virtual) Image Size 9: 16 Clarity 8k

ðŸ§ļ girl slender puppet shape, somber chest, sheer height, with pale white skin, baby skin, kite-juicy shiny clear white, glass skin, silky clear skin, translucent, with big breasts, 800cc, natural

Small slender face frame, rounded chin

Make-up Chinese Tow-in Girl Style Long, touchy upper and lower eyelashes and a doll-style clear thick bouquet handle. There is a dashing shimmer on the head of the eye and a dolly eye. Under the eyes, look sweet.

Bunch of cheeks and lips: swipe the light pink blush in front of cheeks, nose and under eyes to look astringent, blur the edges red pink lipstick matte, see real skin, light foundation, medium coverage

😊 Facial / Emotional Ideas: Sweet, Bright, Tender Eyes, Soft Look at the Camera, Bright Smile

ðŸ§ļ: Shiny straight hair, long hair, brown, natural hair release (no hairpin removed)

Jewelry ðŸ§ļ: Gold Ring, Minimalist Gold Necklace Gray Smartwatch Wristwatch

Nail ðŸ§ļ: Medium Long Cut Tip Rectangular Acrylic Extension Nails, Ombre Gradient from Pink Clear Nail Cone to Dark Blue Nail Tip, Tight Fine Blue Glitter, Twinkle Nail Tip, Small Crystal Band Decoration and Thin Finger Crystal Bow, Silky Hand Skin, Healthy, Soft White Tapered Hands

ðŸ§ļ dress according to 2nd attachment shirt, pants, bag, shoes

ðŸĄ backdrop and light according to the 3rd attachment.

Cute-looking Asian girl standing happily smiling in front of Chaiwat Naram Temple, Ayutthaya Province. The backdrop is Ayutthaya Architectural Historic Site. Old Pagoda and Prang. Prairie and Red Brick Wall in front. Evening atmosphere. Light sun, blue-orange sky. Natural tourist style photo. Full-body camera angle. Taken with mobile camera. Natural fresh tone. Sharp image. Realistic. Thai tourist photo style.

ðŸ§ļ turned a little.

Look at the camera.

Makes the look small and the waist clear

Slightly low camera angle (low angle) to accentuate long legs, realistic proportions, pronounced legs, sharp natural light shadows, natural looking skin, clear fabric and wood surface details.

ðŸšŦ Negative Prompt (Anti-distortion)

distorted face, excess limb, deformed hand, blur, low resolution, overexposed, underexposed, distorted color, distortion, extra fingers# Ou above the pandan style # Free prompt # ai image # Trending # Lemon 8 Howtoo @Baitoey Zabver @👧ðŸŧāļ™āļīāļĢāļīāļ“ & āđāļ—āļ™āļ„āļļāļ“ðŸ‘ĶðŸŧ @āļ„āđˆāļēāļ™āđ‰āļģāļ™āļĄ@Milk house.

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āđāļĨāļ°āļ™āļēāļŽāļīāļāļēāļ‚āđ‰āļ­āļĄāļ·āļ­āļŠāļĄāļēāļĢāđŒāļ—āļ§āļ­āļ—āļŠāđŒāļŠāļĩāđ€āļ—āļē āļāđ‡āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļ—āļąāļ™āļŠāļĄāļąāļĒāđāļĨāļ°āļ„āļĢāļšāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđƒāļŦāđ‰āļĨāļļāļ„āļ”āļđāļĨāļ‡āļ•āļąāļ§āļĄāļēāļāļ‚āļķāđ‰āļ™ āđ€āļĨāđ‡āļšāļ•āđˆāļ­āļ­āļ°āļ„āļĢāļīāļĨāļīāļāļ—āļĢāļ‡āļŠāļĩāđˆāđ€āļŦāļĨāļĩāđˆāļĒāļĄāļ›āļĨāļēāļĒāļ•āļąāļ” āđ€āļ›āđ‡āļ™āļ­āļĩāļāļˆāļļāļ”āļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆ āđ€āļžāļĢāļēāļ°āđƒāļŠāđ‰āđ€āļ—āļ„āļ™āļīāļ„āđ„āļĨāđˆāļŠāļĩāļ­āļ­āļĄāđ€āļšāļĢāļ—āļĩāđˆāđ€āļĢāļīāđˆāļĄāļˆāļēāļāđ‚āļ„āļ™āđ€āļĨāđ‡āļšāļŠāļĩāļŠāļĄāļžāļđāđƒāļŠāđ„āļ›āļˆāļ™āļ–āļķāļ‡āļ›āļĨāļēāļĒāđ€āļĨāđ‡āļšāļŠāļĩāļ™āđ‰āļģāđ€āļ‡āļīāļ™āđ€āļ‚āđ‰āļĄ āļžāļĢāđ‰āļ­āļĄāļāļĨāļīāļ•āđ€āļ•āļ­āļĢāđŒāļ§āļīāļšāļ§āļąāļšāđāļĨāļ°āļ„āļĢāļīāļŠāļ•āļąāļĨāđ€āļĨāđ‡āļāđ† āļ—āļĩāđˆāļ•āļāđāļ•āđˆāļ‡āļ”āļđāļŦāļĢāļđāļŦāļĢāļēāđāļ•āđˆāđ„āļĄāđˆāđ‚āļ­āđ€āļ§āļ­āļĢāđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļŠāđˆāļ§āļĒāđ€āļŠāļĢāļīāļĄāļĨāļļāļ„āļĄāļ·āļ­āđ€āļĢāļĩāļĒāļ§āļœāļīāļ§āļ‚āļēāļ§āļ™āļ§āļĨāđƒāļŦāđ‰āļ”āļđāļŠāļļāļ‚āļ āļēāļžāļ”āļĩāđāļĨāļ°āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļĄāļēāļāļ—āļĩāđ€āļ”āļĩāļĒāļ§āļ„āđˆāļ° āļāļēāļĢāļ–āđˆāļēāļĒāļ āļēāļžāļ”āđ‰āļ§āļĒāļĄāļ·āļ­āļ–āļ·āļ­āđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļāđ‡āļ™āļąāļšāļ§āđˆāļēāļ„āļļāļ“āļ āļēāļžāļŠāļđāļ‡ āđ‚āļ”āļĒāđƒāļŠāđ‰āļ„āļ§āļēāļĄāļ„āļĄāļŠāļąāļ”āļĢāļ°āļ”āļąāļš 8k āđāļĨāļ°āļŠāļąāļ”āļŠāđˆāļ§āļ™āļ āļēāļžāļ‚āļ™āļēāļ” 9:16 āļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļāļąāļšāļāļēāļĢāđāļŠāļĢāđŒāļĨāļ‡āđ‚āļ‹āđ€āļŠāļĩāļĒāļĨāđ„āļ”āđ‰āļ”āļĩ āļ āļēāļžāļ—āļĩāđˆāđ„āļ”āđ‰āļˆāļķāļ‡āļ”āļđāļŠāļĄāļˆāļĢāļīāļ‡āđāļĨāļ°āļ„āļĄāļŠāļąāļ” āļ āļēāļĒāđƒāļ•āđ‰āđāļŠāļ‡āļŠāļ§āđˆāļēāļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ—āļĩāđˆāļ™āļļāđˆāļĄāļ™āļ§āļĨāļ‚āļ­āļ‡āļŠāđˆāļ§āļ‡āđ€āļĒāđ‡āļ™ āļ§āļąāļ”āđ„āļŠāļĒāļ§āļąāļ’āļ™āļēāļĢāļēāļĄāđ€āļ­āļ‡āļāđ‡āđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ·āđˆāļ™āļŠāļ­āļšāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđ‚āļšāļĢāļēāļ“āđāļšāļšāļ­āļĒāļļāļ˜āļĒāļēāđāļĨāļ°āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ—āļĩāđˆāđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļš āđ€āļŦāļĄāļēāļ°āļāļąāļšāļāļēāļĢāļžāļąāļāļœāđˆāļ­āļ™āđāļĨāļ°āđ€āļāđ‡āļšāļ āļēāļžāļŠāļ§āļĒāđ† āļ—āļģāđƒāļŦāđ‰āļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđ„āļ›āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāļ”āļĩāđ† āļ„āđˆāļ° āļŠāļģāļŦāļĢāļąāļšāđƒāļ„āļĢāļ—āļĩāđˆāļĢāļąāļāļāļēāļĢāļ–āđˆāļēāļĒāļ āļēāļžāđāļĨāļ°āļŠāļ­āļšāđ€āļ—āļĩāđˆāļĒāļ§āđāļšāļšāļĄāļĩāļŠāđ„āļ•āļĨāđŒ āļāļēāļĢāļ§āļēāļ‡āļ„āļ­āļ™āđ€āļ‹āđ‡āļ›āļ•āđŒāļāļēāļĢāđāļ•āđˆāļ‡āļ•āļąāļ§āđāļĨāļ°āđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļŠāļĄ āļžāļĢāđ‰āļ­āļĄāđ€āļĨāļ·āļ­āļāļŠāļ–āļēāļ™āļ—āļĩāđˆāđāļĨāļ°āđ€āļ§āļĨāļēāļ—āļĩāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡ āļāđ‡āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āļ āļēāļžāļŠāļļāļ”āļ›āļąāļ‡āđāļĨāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāđ„āļĄāđˆāļĢāļđāđ‰āļĨāļ·āļĄāđ€āļĨāļĒāļ„āđˆāļ°

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