9/11. Etc. 🍋🍋🍋
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NYC
C magazine review
Yuling Chen
2026 April 14th
The 9/11 exhibition at the 9/11 memorial/museum was a test of people’s characters. I saw refugees. They were everywhere. Diseases are everywhere. I feel a fever like a glowing ball growing inside me. Upper west side seemed like a disease. I am wandering around as I feel the sickness. I went back to my hostel alone. People seems to be averse of Israel Palestine conflicts, Venezuela oil tanker attacks and immigrants’ identities. People who graduated in the last few years and the students were making heads way in the job markets. Many of them have found themselves in a cult of personality, of Donald j. Trump. The issues of Israel Palestine conflicts have been brought up again and again in various topics. The exhibition treated photography and videos with a careful eye of aesthetic exploration. Etc.
Visiting the 9/11 Memorial and Museum is more than just observing historical artifacts; it becomes an intimate confrontation with resilience, suffering, and the complexities of modern society. During my visit, the overwhelming presence of refugees and the pervasive sense of illness in the atmosphere underscored the broader human toll that crises around the world inflict on individuals. It’s impossible not to notice how the trauma of 9/11 resonates amid ongoing tensions such as the Israel-Palestine conflicts and the political upheaval in Venezuela. In fact, the exhibition’s thoughtful use of photography and multimedia installations invites visitors to not only witness history but to engage emotionally with the diverse narratives that surround it. I found myself reflecting on how political figures, including the polarizing presence of Donald J. Trump, become icons in their own right, influencing public discourse and shaping perceptions around issues like immigration and identity. Coming from the Upper West Side, which the author describes metaphorically as a 'disease,' I too felt the city’s undercurrent of anxiety and division. The exhibition, while rooted in past tragedy, serves as a mirror reflecting contemporary struggles with societal fracture, cultural clashes, and the challenges faced by new graduates navigating a difficult job market. As someone who appreciates art and storytelling, I was struck by how the exhibit’s aesthetic presentations—carefully balancing beauty and sorrow—open a space for empathy and understanding. Such exhibitions are essential in reminding us that the ripples of monumental events like 9/11 extend far beyond the immediate aftermath, intertwining with global conflicts, personal identity, and the collective memory. This experience left me contemplating the importance of compassion amidst political and social turmoil and the role of art in processing and representing complex realities. It is a call to look deeper, to question easy narratives, and to embrace the nuanced human stories that define our times.
