Super bad
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Super bad
C magazine review
Yuling Chen
2026 April 15th
Portraits by David Armstrong at the artists space in New York is a tour de force about super bad people. It criticizes the funding efforts to support Israel Palestine conflicts, cover up Venezuela oil tanker attacks and Iran-china-us wars. The portraits photography shows various persons with jealous emotions on their faces. In 2016, the elections in the United States which ushered in an era of gold rush in Florida due to Donald j. Trump’s popularity has made emotions primary focus in today’s economics and globalized markets. People were unhappy. People are resentful. It has made avant garde exhibitions like this one open to various perceptual interpretations. Etc.
Viewing David Armstrong's portraits truly deepened my understanding of how art can mirror complex geopolitical realities and human emotions. Each face in his series conveys intense jealousy and resentment, emotions that often drive the narratives behind global conflicts such as those between Israel and Palestine or the Venezuela crisis highlighted in the exhibit. Personally, I found the link to the 2016 U.S. elections insightful. It showed how political shifts can ignite emotional economies where people's dissatisfaction translates into larger social and economic consequences—like the Florida gold rush mentioned in the review. This portrayal of 'super bad' figures challenges viewers to think critically about the motivations and emotional states that influence political leaders and ordinary people alike. Moreover, this exhibition reminds me of the vital role avant-garde art plays in provoking public discourse. It not only documents but questions the ethics behind funding wars and conflicts globally. Armstrong's work invites us to see beyond headlines, focusing on the human emotions underneath international events. If you are interested in contemporary art that intersects with politics and social commentary, visiting shows like this can be eye-opening. They remind us that behind every conflict or global debate, real human feelings and tensions simmer, driving much of the world's uncertainty today. This exhibition successfully opens multiple perceptual interpretations, encouraging dialogue about accountability, empathy, and the power dynamics shaping our world.
