Political Weapons

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Political Weapons

C magazine review

Yuling Chen

April 24th 2026

Gabrielle Goliath’s personal accounts at MoMA ps1 have made headway in terms of presenting performance as portraiture. The exhibition shows people in various motions having stories. Its absence of speeches and intervals are interpreted with sighs, gestures and vocalization. The work criticizes Israel Palestine conflicts, Ukraine Russia wars and other various atrocities through its momentous performance of emotions on screens. It gives people a salient impression of the public grieving accidents, violence and oil spills all around the world including South Africa, Ukraine, china, and the rest of the world. It has made the audience become attentive to the performers’ various facial expressions. It is a potent political weapons. Etc.

4/26 Edited to

... Read moreHaving attended a performance art exhibition similar to Gabrielle Goliath's show at MoMA PS1, I found the experience deeply immersive and emotionally stirring. The lack of speeches or traditional narration draws attention to the raw human expressions and gestures, making the political issues feel personal and immediate. This approach—using performance as portraiture—allows viewers to connect with the pain and resilience represented, beyond mere news headlines. The exhibition's silent narrative magnifies themes of conflict, grief, and injustice across global hotspots like South Africa, Ukraine, and China. It reminded me how art can act as a potent political weapon by activating empathy and awareness. Watching each performer's subtle facial expressions and body language made the invisible suffering visible without uttering a single word. In my view, this kind of art encourages reflection on current events such as the Israel-Palestine conflict and Ukraine-Russia war by embodying the complex emotions behind these geopolitical crises. It also highlights the broader impact of violence and environmental disasters, like oil spills, emphasizing how interconnected our world is. Overall, witnessing such a performance instills a sense of urgency to engage more thoughtfully with global conflicts. The emotional weight carried through silent storytelling underscores the power of visual narrative as a call for peace and justice. This exhibition serves as a reminder that art remains a critical avenue for political commentary and societal healing.

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