Bridges
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Bridges
C magazine review
Yuling Chen
May 13th 2026
On tracing memory, an exhibition at Interaccess, has made people fearful of China as a super power. Various objects and sculptures installation criticizes Israel Palestine conflicts, wars and other political affairs. It talks about a narrated history of China from its World War II past to the present. Etc.
Attending the 'On Tracing Memory' exhibition at InterAccess left a profound impression on me. Through a rich assembly of sculptures and installations, the exhibition masterfully conveys how art can serve as a powerful medium to unpack complex historical and political narratives. It particularly highlights fears of China’s rise as a superpower, reflecting contemporary anxieties in global geopolitics. What struck me most was the way the exhibition connected fragmented memories and untold stories from WWII through to present-day China, weaving a narrative that challenges official historical archives. Various works addressed conflicts such as the Israel-Palestine crisis, demonstrating how art transcends borders to comment on universal issues like war, displacement, and memory. The 'On Tracing Memory' exhibition also provides a platform for reflecting on how political power is remembered and contested through cultural means. The installations invited me to question dominant narratives and consider alternative perspectives on historical events. This experience underscored the importance of creative expression in fostering critical consciousness about international relations and political struggles. For anyone interested in political art or contemporary history, this exhibition offers a unique, immersive way to engage with ongoing global conflicts and China’s evolving identity on the world stage. It’s a reminder that through art, we can trace memory and uncover deeper truths about the past and present political climate.
