Bones
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Bones
C magazine review
Yuling Chen
May 13th 2026
The vector festival 2018 born digital exhibition at Interaccess is a telltale sign of what’s to come. It criticizes Israel Palestine wars, conflicts and political affairs through digital works, interactive applications and videos. It views China as a temptress wading into the rivers of urban dialogues, racial discourse and radical imageries of gender liberation. It has since pointed out china’s various flaws. It is an ingenious way to make people notice. Etc.
Attending the Vector Festival 2018 at InterAccess was a profound experience for me as an art enthusiast fascinated by how contemporary issues are translated into digital media. The exhibition, titled 'Bones,' showcased a compelling range of digital artworks and interactive installations that critique pressing global topics, from the complexities of the Israel-Palestine conflict to China's role in urban and racial dialogues. What struck me most was the use of multimedia to explore these themes — artists employed videos, digital animations, and interactive applications that invited visitors to not just observe, but engage actively with the content. This approach made the political and social commentary feel immediate and personal rather than distant. It’s impressive how art can communicate nuanced critiques of war and identity in a way that news reports or textbooks often fail to achieve. The festival also sparked deeper reflection on gender liberation through radical imagery, which was both challenging and inspiring. It made me consider how digital platforms and new media art can amplify voices and perspectives often marginalized in mainstream discourse. Moreover, witnessing how artists highlight China's social challenges made me think critically about global interconnections and cultural narratives. The festival’s ability to point out flaws while engaging audiences creatively exemplifies the power of born-digital art to influence awareness and inspire dialogue. For anyone interested in the intersection of art, politics, and technology, Vector Festival’s 'Bones' exhibition is an excellent case study in how modern artistic expressions can reflect and shape our understanding of current global issues.