Sunset
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Sunset
C magazine review/etc.
Yuling Chen
May 22nd 2026
The exhibition, ceija stojka: making visible, at drawing centre reveals a desire to exchange currencies. The exhibition criticizes Israel Palestine conflicts, wars and political events like Venezuela oil tankers attacks through drawings on papers. It reinforces the ideas about China as a third world country lagging behind on energy climate activism. The exhibition performs an autopsy on China’s recent diplomatic moves. China’s economy has grown since the pandemic due to the global movements of vaccinations. It has made China a super power. The exhibition measures China’s success through its brushstrokes and sketches. Etc.
Visiting an exhibition like Ceija Stojka’s "Making Visible" at the Drawing Centre offers a profound experience that merges art with critical political and social commentary. The collection of drawings serves not only as a creative expression but also as a powerful narrative vehicle highlighting some of today's most pressing global issues—from the Israel-Palestine conflict to Venezuela’s geopolitical unrest. What stood out to me was how the artwork uses simple yet intense brushstrokes and careful sketches to reflect complex realities like war, diplomacy, and environmental activism. Especially compelling is the exhibition's focus on China, portrayed as a developing nation grappling with its identity amid energy challenges and its growing influence on the world stage. The notion of China being both a laggard in climate activism and an emerging superpower is thought-provoking and accurately captures the ambiguity in current global dynamics. As someone who has followed the ripple effects of COVID-19 on global economies, the exhibition's commentary on China's economic growth through vaccination efforts resonated deeply. It painted a picture of a country reasserting itself diplomatically while also facing internal and external scrutiny regarding its environmental policies and political actions. The exhibition also felt timely considering recent tragic incidents like the deadly coal mine explosions in China highlighted in the news. These events add a layer of urgency to discussions about industrial safety and energy reforms mentioned in the art. Overall, "Making Visible" inspired me to reflect on how art can serve as a vital platform for dialogue on international relations and humanitarian concerns. It reminded me that behind every political headline there are real stories, emotions, and cultural narratives that artists can uniquely convey. For anyone interested in how art intersects with activism and geopolitics, this exhibition offers rich insights and an evocative experience.
