En avril, Rio a changé ma vision des festivals de cinéma.
Je pensais assister à un festival comme les autres. J’y ai découvert un événement où le cinéma se vivait aussi dans la rue, où les projections donnaient lieu à des échanges avec le public et où j’ai pu rencontrer des cinéastes, des écrivains et des personnalités engagées.
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Attending the film festival in Rio last April was truly eye-opening. Unlike traditional cinema events confined to dark auditoriums, this festival embraced the vibrant city streets, turning them into open-air cinemas that invited passersby to engage with the films actively. The presence of the Black diaspora's voices added a profound depth, as the event highlighted stories and perspectives often underrepresented. What stood out the most were the lively debates following each screening. These conversations were not mere formalities but essential extensions of the cinematic narratives, enriching the audience's understanding and encouraging critical thinking about racial equality and social justice. Meeting key figures like Anielle Franco, then Brazil's Minister of Racial Equality, and acclaimed Brazilian writer Ana Maria Gonçalves further personalized the experience, allowing for meaningful exchange beyond the screen. This festival also demonstrated how cinema can extend beyond entertainment to become a platform for activism and community connection. Incorporating street culture into the cinematic experience broke down barriers, inviting diverse audiences to partake in dialogues that matter. Overall, this festival redefined my appreciation for film events, showing me how they can foster social change while celebrating art and dialogue in an accessible and inclusive space.







