Replying to @💀 well no. Filters do not change the texture of the paint, just the lighting and coloring. I want to address this video by saying firstly all the criticisms by the comments and creator are completely valid, the quality I had for my dolls back the wasnt great at all. Over the years I’ve always aimed to improve and do better , at the time when I sold this doll I did make her with the intention of selling her, but by the time I had reveled so many people had begged me to sell so I did. I didn’t have any direction or standard for selling at the time. The hair was good for me at the time with Afro hair you usally dont root every hole in the bead to avoid it being overwhelming, tho i definitely should’ve painted the scalp or rooted more. As far as the jeans, I make my dolls mainly for stationary display , I dont usually worry about Whats in the back, I sew and glue dolls into their outfits all the time, obviously over the years Ive gotten better at that. But my doll are not meant for play or exchanging clothes. Ive spoken about this many times on my instagram, Ive always told people If they bought a doll from this time they can totally send them back for a free repaint or reroot. I wish this creator would’ve just DMed me directly at the time, I probably would’ve refunded her. This was so long ago, I don’t know why people are acting like this a reflection of me now. #monsterhighdoll #monsterhigh #customdoll #dollrepaint #monsterhighdolls
In my experience working with custom dolls, especially those inspired by lines like Monster High, one of the biggest challenges is balancing artistic expression with customer expectations. When I first started creating these dolls for sale, I didn’t have a clear standard or a set process to ensure consistent quality. For instance, I focused more on the overall look and less on details like scalp painting or fully rooting every hair hole, especially with afro-textured hair where over-rooting can look unnatural or overwhelming. Over time, I realized how important these finer elements are to collectors and enthusiasts who appreciate craftsmanship. One important aspect I’ve learned is that many custom dolls are made primarily for stationary display rather than extensive play or clothing changes. This allows me to glue or sew outfits firmly to maintain their intended look without worrying about wear and tear. This approach helps preserve the doll’s aesthetic for display purposes but might not satisfy those who want to interact with or restyle their dolls regularly. Another key point is communication. I’ve had moments where buyers were unhappy with certain aspects but didn’t reach out directly. I encourage anyone who purchases custom dolls to contact the maker if they want adjustments or repairs. I have openly offered free repaints or reroots for dolls made during earlier phases when quality or standards were still evolving. This kind of customer service not only builds trust but also fosters a supportive community around custom doll making. Lastly, I frequently encounter feedback about how digital filters affect perceptions of doll finishes. Filters can alter lighting and color in photos but do not change the actual texture or quality of the paint. Understanding this distinction helps in setting realistic expectations and appreciating the true craftsmanship involved. Through ongoing practice, learning from critiques, and open communication, it’s possible to grow as a doll artist and create pieces that collectors can cherish both visually and emotionally. This journey is a personal and artistic evolution that every custom doll maker experiences as they refine their craft.
