Telling time
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Telling time
C magazine review/feature/etc.
Yuling Chen
2026 may 29th
The exhibition first story at a space gallery tells time by making statements about China. It criticizes Israel Palestine wars, Iran US and China conflicts and political events through images and metaphors of wild life and abstract patterns. It puts China in perspectives through the round shapes of canvases. It talks about China’s economy and growth as a problematic subjects often rife with tensions. There are people who often help others out of the harm’s way, out of debts or out of unsustainable living conditions in apartments, condoes and houses. It has often made them targets of states, China and Chinese communist party for speeches, for their bodily ableism and for the works. They often try to change works. They often try to avoid incidents from becoming disabled. There are lots of people faking disability, incidents, diseases and death. The reason my dad Chen shangwen has not died and said he is is that people often assume women, people, youth are not kind to each other. The revolts at every family cases is originated from the fact money is important to have a life at all. Recently someone, my boyfriend, a person I saw and met at waterfront, married me. He has come to be with me. This has made me wonder whether China has designs for the world’s nuclear messes. The exhibition also pointed out how a lot of people, artists, dissidents are executed or facing execution for their works and behaviours on the web and in real life. These executions happen in China and everywhere making people worried about their lives, money and assets. It’s a brutal crackdown on speech, freedom and illegal activities in the urban spaces. In 2019 and 2020 Hong Kong protests have made China and UK important trade partners for North America(Canada, us, Mexico). The exhibition reflects on the recent HBO show, euphoria season 3, and many others. It tells people the lack of interiority of the characters is a larger problem brought on by China’s increasing westernized gaze on people, women and anybody who has a image to sell. People uses difficult words to describe their problems such as having insatiable appetites for something dark and darker. It was about seduction gone wrong. It’s about China’s rising profile in the west. It’s about how on screen persona become transmogrified in real life. It has made certain things important, transportation, screens and humiliation. People often found themselves trapped in these word games without an end. The exhibition’s images of peaceful summer makes China once again a country shrouded in mystique and reservation. There is a sense of competition between pop stars, strangers and people emerging in these events. They often offer racial slurs disguised as pep talk, self aggrandizing on screen manouvers and narratives. They don’t let strangers, writers and critics talk about their looks, intend to make them regret the things they say or write about and act really hurt when those things are propping up their profiles, statuses and images. It’s all because China has retreated in terms of trade relations, deals and markets boost in recent time. World leaders are wooing them. But the Chinese leader Xi Jin ping and China are responding with cold shoulders, propagandas and iron fist on how much the trade and trading are happening in order to investigate the rampant accidents and death surrounding cruises and ships since the pandemic or even earlier. Like the exhibition and many people points out, those are not accidentals. They are mostly homicides. The dictatorship in China has made sure the often explosive rate of career growth of some Chinese people, etc. , with global or globe trotting tendency is reduced to nothing but a slate of empty words. Etc.
