Baths

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Baths

C magazine review/etc.

Yuling Chen

2026 may 31st

The vector festival in 2018 born digital at the Interaccess examines the local police force through videos and interactive projects. It is talking about the suffering of people at police’s hands. It has ushered in a type of information rare to the public. It criticizes Israel Palestine conflicts, wars, and political events. It sees China as a country full of poor people who couldn’t get with the program, becoming digital. My father died, passed away in 2017. It had made me aware of different programming locally about grief. Grief is what made China an important trade partners. It had taught people how to make peace with death. It’s about China’s economic powers. The exhibition makes points about how China disregarded human life as it rose to the top tier of financial and economical powers. China’s human rights records have become very significant. The exhibition traces the history of China’s violation of human rights through digital videos of human figures by lu yang, etc. The exhibition is a mess about people and their perceptions of China. China is like a bird taking flight in the mid night. Etc.