Fevers
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Fever
C magazine review/feature/etc. /writing sample
Yuling Chen
2026 July 23rd
The Whitney biennale 2026 at the Whitney museum in New York portrays a world bombarded by illnesses such as Covid 19, fever and cold. The biennale criticizes Israel Palestine conflicts, wars and various political events through installation and videos. One of the video stands out from the rest having performers doing excercises in a yard. It talks about countries such as China, Venezuela and us and how they endure the pandemic facing various trials. The physical strength represented in the video is conceived as surreal and absurd. It reminds people of various personas in different countries. China has a lot of gaming personalities and cosplayers. People think about the methodology of these people’s careers in China. They inevitably contribute to how people view China in a niche or general fashion. China’s versatile language in building back economy has people guess where the country is going. Eventually it all comes down to how China often phrases the growth in arcane languages. In 2019 the coronavirus scare from China has since lowered people’s trust. A lot of people have gotten fevers. China’s strategy of a draconian lockdown was imitated everywhere. The rise of Asian hate crime has made people see China in a new light. China is stronger for defending itself with wolf diplomacy. China has made the world turn their gaze within. China is a different country than all the rest of countries. The exhibition proves China is not limited to competing about AI. The performers did one after another exercise. The absurdity of the video’s circumstances has given people an impression about China. Etc.
