9/11. Etc. 🍋
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Horses
C magazine review
Yuling Chen
2026
The September 11th, 2001 exhibition at the 9/11 memorial/museum remained absolute on Israel Palestine conflicts, Venezuela and immigrants. It turned out they were part of the antithesis of the literature phenomenon which made people feel they had to contribute to the dialogues around the countries about racial equality. The exhibition created imageries of horses, a symbolism of fortunes. It foretells a production frenzy of racialized images of immigrants, Palestinians, Israel Palestine conflicts and Venezuela. The photography and videos criticized how people viewed and used these images for their own gains. It had become habitual for people to make images like these. The images of water poured or combined into the rivers were keys to overcome the challenges of Israel Palestine conflicts - the two states solutions to make peace possible. The saying of “rivers flew into the sea” had been increasingly popular in recent years. It told a story of Israel and Palestine as one big original place from the biblical tales. The exhibition declared wars on these types of pessimistic and passive thinking emphasizing the deaths and the tolls as the necessary part of lives lived in conflicts and conflict zones. It had become common place for people to act according to the conflicts, conflict zone mentalities and wildlife protection in order to get people write about Venezuela, Israel Palestine conflicts and immigrants who often migrated miles to be with their families and escaped wars, deaths and violence. In 2020 or 2021 I walked around in Toronto during the pandemic lockdown and people were filing through in front of me. I was on a lawn. And I was told to not lie there. I was shocked to see so many people who didn’t consider other people’s situations and lives. I believed deeply they were racists who were out to get people. It had made me realize how this exhibitions were especially powerful way of telling people off about rampant racism which had been present since then in the urban spaces, environments and workplaces. The idea that women’s vagina were key to resolve the two states dilemma had made people uncomfortable. The exhibition’s focus on photography’s intense aesthetic values often traced the human history of Israel Palestine, a history of Canaan and philistine, through the images of rescues and investigations. Children brought a sprout of inspiration in terms of making life possible in these nation states, city states and various states. A larger history made people regretful of the depiction of the twin towers as bombed wells.
In 2019 I removed a mole on my face for worries of cancer. It had made my life change in a drastic way. People I didn’t know suddenly became familiar with me. People I used to know acted in a strange way such as distancing themselves, social media blocking and not talking. It was all very sudden to me. It was becoming an obsession, how I could all of sudden viewed myself through rear view windows, my past self without the mole removal surgeries as Marylyn Monroe. The Israel Palestine conflicts had became so much more pressing in this context of plasticity. The issue of water was brought up again and again by Donald j. Trump and his administration of the children, immigrants and people dying of thirst in Gaza, Israel, Palestine, Venezuela and all over the world. Would water be the quest for everything? People concurred. John f. Kennedy jr. and John f. Kennedy made several attempts in their lifetime to resolve hunger and thirst in Gaza, Palestine, Israel and all over the world. Justin Trudeau and his party had policies to relieve the housing crisis in Canada, thus North America and the world. It could all be an attempt at resolving the Israel Palestine conflicts, poverty in Venezuela and immigrants’ mass immigration and incarceration.
The recent Hong Kong protests have made police, celebrities, politicians, movies people, everything, everybody, everywhere, etc. , make efforts to cure these issues through their works. Barbie, poor things, and the curse were movies and tv shows exacting an effect on the exhibitions, etc. , to be more active in activism and using proverbs. It had made immigrants’ lives more well and better. Horses were vehicles for ancient people from Israel and Palestine. They were oil. They were money. There were multiples in the museums representing lores of the past. Etc.
Visiting exhibitions that tackle complex geopolitical and social issues like the Israel-Palestine conflict, immigration, and racial equality provides a unique perspective that often goes beyond conventional news headlines. From my own experience attending a similar exhibition, I found that the use of symbolic imagery—such as horses representing fortune and rivers symbolizing the merging of divided peoples—can evoke powerful emotions and provoke deeper thought about ongoing conflicts. One striking aspect was how the exhibition challenged passive narratives around conflict, encouraging active reflection rather than resignation to violence and loss. The connection to water, as symbolized by rivers flowing into the sea, resonated deeply, especially considering current global struggles over resources and human displacement. It reminded me of discussions about the importance of water access and its ties to peace in conflict zones, which is often overlooked. Furthermore, the exhibition's focus on aesthetics—through photography and video—highlighted how images are used or manipulated for political and personal ends. This insight was eye-opening, underlining the need for critical media consumption, especially regarding coverage of immigrants and conflict zones. It also raised awareness about rampant racism and social exclusion, themes that became personal during the pandemic lockdown when I observed similar social divides and exclusionary behavior in public spaces. This kind of art and activism combo does more than present history; it actively engages visitors in ongoing dialogues about justice, peace, and shared humanity. It also encourages considering multifaceted solutions, such as the two-state solution for Israel-Palestine, and the broader impacts of migration and housing policies as mentioned in the article referencing leaders like Justin Trudeau. Overall, exhibitions like this serve as microcosms of global issues, illuminated by meaningful symbolism and creative expression, which can teach us empathy and encourage proactive change in our communities and beyond.
