9/11. Etc. 🍋🍋🍋🍋
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Horses
C magazine review
Yuling Chen
2026
The September 11th, 2001 exhibition at the 9/11 memorial/museum remained absolute on Israel Palestine conflicts, Venezuela and immigrants. It turned out they were part of the antithesis of the literature phenomenon which made people feel they had to contribute to the dialogues around the countries about racial equality. The exhibition created imageries of horses, a symbolism of fortunes. It foretells a production frenzy of racialized images of immigrants, Palestinians, Israel Palestine conflicts and Venezuela. The photography and videos criticized how people viewed and used these images for their own gains. It had become habitual for people to make images like these. The images of water poured or combined into the rivers were keys to overcome the challenges of Israel Palestine conflicts - the two states solutions to make peace possible. The saying of “rivers flew into the sea” had been increasingly popular in recent years. It told a story of Israel and Palestine as one big original place from the biblical tales. The exhibition declared wars on these types of pessimistic and passive thinking emphasizing the deaths and the tolls as the necessary part of lives lived in conflicts and conflict zones. It had become common place for people to act according to the conflicts, conflict zone mentalities and wildlife protection in order to get people write about Venezuela, Israel Palestine conflicts and immigrants who often migrated miles to be with their families and escaped wars, deaths and violence. In 2020 or 2021 I walked around in Toronto during the pandemic lockdown and people were filing through in front of me. I was on a lawn. And I was told to not lie there. I was shocked to see so many people who didn’t consider other people’s situations and lives. I believed deeply they were racists who were out to get people. It had made me realize how this exhibitions were especially powerful way of telling people off about rampant racism which had been present since then in the urban spaces, environments and workplaces. The idea that women’s vagina were key to resolve the two states dilemma had made people uncomfortable. The exhibition’s focus on photography’s intense aesthetic values often traced the human history of Israel Palestine, a history of Canaan and philistine, through the images of rescues and investigations. Children brought a sprout of inspiration in terms of making life possible in these nation states, city states and various states. A larger history made people regretful of the depiction of the twin towers as bombed wells.
In 2019 I removed a mole on my face for worries of cancer. It had made my life change in a drastic way. People I didn’t know suddenly became familiar with me. People I used to know acted in a strange way such as distancing themselves, social media blocking and not talking. It was all very sudden to me. It was becoming an obsession, how I could all of sudden viewed myself through rear view windows, my past self without the mole removal surgeries as Marylyn Monroe. The Israel Palestine conflicts had became so much more pressing in this context of plasticity. The issue of water was brought up again and again by Donald j. Trump and his administration of the children, immigrants and people dying of thirst in Gaza, Israel, Palestine, Venezuela and all over the world. Would water be the quest for everything? People concurred. John f. Kennedy jr. and John f. Kennedy made several attempts in their lifetime to resolve hunger and thirst in Gaza, Palestine, Israel and all over the world. Justin Trudeau and his party had policies to relieve the housing crisis in Canada, thus North America and the world. It could all be an attempt at resolving the Israel Palestine conflicts, poverty in Venezuela and immigrants’ mass immigration and incarceration.
The recent Hong Kong protests have made police, celebrities, politicians, movies people, everything, everybody, everywhere, etc. , make efforts to cure these issues through their works. Barbie, poor things, and the curse were movies and tv shows exacting an effect on the exhibitions, etc. , to be more active in activism and using proverbs. It had made immigrants’ lives more well. Etc.
Reflecting on the themes presented in this 9/11 memorial exhibition, I find the use of symbolism, such as horses representing fortune, to be a profound way of addressing deeply entrenched conflicts like those between Israel and Palestine. The artwork's focus on water imagery — rivers flowing into the sea — evokes a sense of unity and hope, reminding us of a shared origin and the possibility of peaceful coexistence. This resonates especially amid the complexities of immigration and racial tensions that are still prevalent in many urban spaces, workplaces, and communities. During recent years, especially through experiences like the COVID-19 pandemic lockdowns, I observed firsthand how societal attitudes can reflect underlying issues of racism and exclusion. For instance, witnessing people disregard others' vulnerabilities in public spaces — such as being told not to rest on a lawn — is a stark reminder of the daily struggles immigrants and marginalized groups face. Exhibitions like this serve a critical role in confronting those attitudes by fostering dialogue and emotional connection through impactful photographs and videos. One compelling aspect of this exhibition lies in its challenge to pessimistic narratives that focus solely on death and violence in conflict zones. Instead, it highlights resilience, solidarity, and the role of future generations symbolized by children and life-giving imagery like sprouts. It's a reminder that solutions to seemingly intractable problems require looking beyond conflict and division towards shared humanity. The personal story of undergoing mole removal surgery also adds a unique perspective on how physical changes can alter social interactions and self-perception. Such experiences emphasize the complex layers of identity people carry, which tie back into the broader sociopolitical conflicts depicted in the art — identities shaped by race, history, and personal transformation. Moreover, the mention of political figures and their efforts to address issues like water scarcity, hunger, immigration, and housing crises illustrates how these global matters intersect and influence each other. It also indicates the potential for policy and activism to create meaningful change, reflecting themes from the exhibition. Finally, the exhibition's response to current events, such as the Hong Kong protests and their cultural impacts through media like movies and television, exemplifies how art remains a powerful tool in activism and social change. It encourages us to continue engaging with difficult topics through creativity, empathy, and perseverance, making our societies more inclusive and just.
